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The George Economou Collection | Charles Ray

The George Economou Collection | Charles Ray
Charles Ray, Untitled, 1973. Wood, rope, and brick, 178 x 127 x 58 cm. Courtesy the Artist and Matthew Marks Gallery. Photo: Joshua White.

The George Economou Collection Charles Ray


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La Biennale di Venezia | Man as Bird. Images of Journeys

La Biennale di Venezia | Man as Bird. Images of Journeys
Provmyza art group, Eternity, 2011. Video installation, 35 minutes. Courtesy of the artists.

La Biennale di Venezia Man as Bird. Images of Journeys Collateral Event of the 57th Venice Biennale May 13–September 5, 2017


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57. Esposizione Internazionale d’Arte La Biennale di Venezia | Viva Arte Viva : Eventi Collaterali

57. Esposizione Internazionale d’Arte La Biennale di Venezia | Viva Arte Viva : Eventi Collaterali

La Biennale di Venezia Esposizione Internazionale d’Arte VIVA ARTE VIVA 22 Eventi Collaterali alla Biennale Arte 2017


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Fondazione Prada | The Boat is Leaking. The Captain Lied.

Fondazione Prada | The Boat is Leaking. The Captain Lied.
A. Morbelli, Giorni...ultimi! (Last...Days!), 1883. Courtesy GAM, Milan. © 2017 DeAgostini Picture Library/Scala, Florence.

Fondazione Prada The Boat is Leaking. The Captain Lied. May 13–November 26, 2017


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La Biennale di Venezia | 57. Esposizione Internazionale d’Arte: VIVA ARTE VIVA

La Biennale di Venezia | 57. Esposizione Internazionale d’Arte: VIVA ARTE VIVA

La Biennale di Venezia 57. Esposizione Internazionale d’Arte VIVA ARTE VIVA Venezia (Giardini e Arsenale), 13 maggio – 26 novembre 2017


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La Biennale di Venezia | Emirati Arabi Uniti : Nujoom Alghanem, Sara Al Haddad, Vikram Divecha, Lantian Xie and Dr. Mohamed Yousif Rock / Paper, Scissors: Positions in Play

La Biennale di Venezia | Emirati Arabi Uniti : Nujoom Alghanem, Sara Al Haddad, Vikram Divecha, Lantian Xie and Dr. Mohamed Yousif Rock / Paper, Scissors: Positions in Play
Vikram Divecha, Degenerative Disarrangement, 2013. Interlocking pavement bricks, dimensions variable. Relocated from Al Fahidi Historical Neighborhood, Dubai, 2017. Uprooted from Al Ghubaiba bus stand, Dubai, 2013. SIKKA 2013, commissioned by Dubai Culture & Arts Authority. Image courtesy of the artist and Gallery Isabelle van den Eynde, Dubai.

United Arab Emirates Pavilion at the Venice Biennale Nujoom Alghanem, Sara Al Haddad, Vikram Divecha, Lantian Xie and Dr. Mohamed Yousif Rock, Paper, Scissors: Positions in Play May 13–November 26, 2017


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La Biennale di Venezia | Olanda : Wendelien van Oldenborgh Cinema Olanda

La Biennale di Venezia | Olanda : Wendelien van Oldenborgh Cinema Olanda
Wendelien van Oldenborgh, Supposing I love you. And you also love me, 2011 Architectural setting with bench and projection: Montage of still images with dialogue, English subtitles, 13 minutes. Van Oldenborgh is represented by Wilfried Lentz Rotterdam Wendelien van Oldenborgh, Cinema Olanda (film still), 2017. Van Oldenborgh is represented by Wilfried Lentz Rotterdam Wendelien van Oldenborgh, Cinema Olanda (film still), 2017. Van Oldenborgh is represented by Wilfried Lentz Rotterdam.

Dutch Pavilion at the Venice Biennale Wendelien van Oldenborgh Cinema Olanda May 13–November 26, 2017


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La Biennale di Venezia | Gran Bretagna : Phyllida Barlow

La Biennale di Venezia | Gran Bretagna : Phyllida Barlow
untitled: dock: emptystaircasehoarding, 2014, Phyllida Barlow. Installation view, dock, Duveen Commission, Tate Britain, London, England, 2014. Photo: Alex Delfanne © Phyllida Barlow. Courtesy the artist and Hauser & Wirth.

Great Britain Phyllida Barlow May 13–November 26, 2017


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La Biennale di Venezia | Lussemburgo : Mike Bourscheid— Thank you so much for the flowers

La Biennale di Venezia | Lussemburgo : Mike Bourscheid— Thank you so much for the flowers
Thank you so much for the flowers, 2017. Copyright Mike Bourscheid. Production photo 2017.

la biennale di venezia | luxembourg pavilion mike bourscheid — thank you so much for the flowers


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Museum of 18th Century Venice, Ca’ Rezzonico | Marzia Migliora Velme

Museum of 18th Century Venice, Ca' Rezzonico | Marzia Migliora Velme
Marzia Migliora, quis contra nos., 2017. Courtesy the artist and Galleria Lia Rumma, Milan/Naples. Photo: Renato Ghiazza.

Museum of 18th Century Venice, Ca’ Rezzonico Fondazione Merz Marzia Migliora Velme May 13–November 26, 2017


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