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The George Economou Collection | Charles Ray

The George Economou Collection | Charles Ray
Charles Ray, Untitled, 1973. Wood, rope, and brick, 178 x 127 x 58 cm. Courtesy the Artist and Matthew Marks Gallery. Photo: Joshua White.

The George Economou Collection Charles Ray


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La Biennale di Venezia | Olanda : Wendelien van Oldenborgh Cinema Olanda

La Biennale di Venezia | Olanda : Wendelien van Oldenborgh Cinema Olanda
Wendelien van Oldenborgh, Supposing I love you. And you also love me, 2011 Architectural setting with bench and projection: Montage of still images with dialogue, English subtitles, 13 minutes. Van Oldenborgh is represented by Wilfried Lentz Rotterdam Wendelien van Oldenborgh, Cinema Olanda (film still), 2017. Van Oldenborgh is represented by Wilfried Lentz Rotterdam Wendelien van Oldenborgh, Cinema Olanda (film still), 2017. Van Oldenborgh is represented by Wilfried Lentz Rotterdam.

Dutch Pavilion at the Venice Biennale Wendelien van Oldenborgh Cinema Olanda May 13–November 26, 2017


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La Biennale di Venezia | Albania : Leonard Qylafi Occurrence in Present Tense

La Biennale di Venezia | Albania : Leonard Qylafi Occurrence in Present Tense
Leonard Qylafi, Imagery #3, 2014. Oil on canvas, 60 x 90 cm. Courtesy of the artist.

Albanian Pavilion at the Venice Biennale Leonard Qylafi Occurrence in Present Tense May 13–November 26, 2017


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La Biennale di Venezia | Lussemburgo : Mike Bourscheid— Thank you so much for the flowers

La Biennale di Venezia | Lussemburgo : Mike Bourscheid— Thank you so much for the flowers
Thank you so much for the flowers, 2017. Copyright Mike Bourscheid. Production photo 2017.

la biennale di venezia | luxembourg pavilion mike bourscheid — thank you so much for the flowers


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Fondazione Prada | The Boat is Leaking. The Captain Lied.

Fondazione Prada | The Boat is Leaking. The Captain Lied.
A. Morbelli, Giorni...ultimi! (Last...Days!), 1883. Courtesy GAM, Milan. © 2017 DeAgostini Picture Library/Scala, Florence.

Fondazione Prada The Boat is Leaking. The Captain Lied. May 13–November 26, 2017


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La Biennale di Venezia | 57. Esposizione Internazionale d’Arte: VIVA ARTE VIVA

La Biennale di Venezia | 57. Esposizione Internazionale d’Arte: VIVA ARTE VIVA

La Biennale di Venezia 57. Esposizione Internazionale d’Arte VIVA ARTE VIVA Venezia (Giardini e Arsenale), 13 maggio – 26 novembre 2017


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La Biennale di Venezia | Emirati Arabi Uniti : Nujoom Alghanem, Sara Al Haddad, Vikram Divecha, Lantian Xie and Dr. Mohamed Yousif Rock / Paper, Scissors: Positions in Play

La Biennale di Venezia | Emirati Arabi Uniti : Nujoom Alghanem, Sara Al Haddad, Vikram Divecha, Lantian Xie and Dr. Mohamed Yousif Rock / Paper, Scissors: Positions in Play
Vikram Divecha, Degenerative Disarrangement, 2013. Interlocking pavement bricks, dimensions variable. Relocated from Al Fahidi Historical Neighborhood, Dubai, 2017. Uprooted from Al Ghubaiba bus stand, Dubai, 2013. SIKKA 2013, commissioned by Dubai Culture & Arts Authority. Image courtesy of the artist and Gallery Isabelle van den Eynde, Dubai.

United Arab Emirates Pavilion at the Venice Biennale Nujoom Alghanem, Sara Al Haddad, Vikram Divecha, Lantian Xie and Dr. Mohamed Yousif Rock, Paper, Scissors: Positions in Play May 13–November 26, 2017


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La Biennale di Venezia | Singapore : Zai Kuning Dapunta Hyang: Transmission of Knowledge

La Biennale di Venezia | Singapore : Zai Kuning Dapunta Hyang: Transmission of Knowledge
A work-in-progress photograph of the bow of the 17 metre-long ship made of rattan, beeswax, and string. Gillman Barracks, Singapore, 2017. Photo courtesy of the artist.

Singapore Pavilion at the Venice Biennale Zai Kuning Dapunta Hyang: Transmission of Knowledge May 13–November 26, 2017


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La Biennale di Venezia | Ungheria : Gyula Várnai Peace on Earth!

La Biennale di Venezia | Ungheria : Gyula Várnai Peace on Earth!
Gyula Várnai, Neonpeace, 2017. Light installation, neon tubes on a metallic construction, 4 x 5 x 2 m. Courtesy of the artist.

Hungarian Pavilion at the Venice Biennale Gyula Várnai Peace on Earth! May 13–November 26, 2017


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Museum of 18th Century Venice, Ca’ Rezzonico | Marzia Migliora Velme

Museum of 18th Century Venice, Ca' Rezzonico | Marzia Migliora Velme
Marzia Migliora, quis contra nos., 2017. Courtesy the artist and Galleria Lia Rumma, Milan/Naples. Photo: Renato Ghiazza.

Museum of 18th Century Venice, Ca’ Rezzonico Fondazione Merz Marzia Migliora Velme May 13–November 26, 2017


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