Staatliche Kunsthalle Baden-Baden

Jimmy Robert: All dressed up and nowhere to go

Jimmy Robert
All dressed up and nowhere to go
October 28, 2022–January 15, 2023

Opening: October 28, 6pm

Artist talk: October 29, 2pm, between Jimmy Robert and Curator Christina Lehnert

Performance weekend: November 26–27, with Class Jimmy Robert UdK/Berlin

Staatliche Kunsthalle Baden-Baden
Lichtentaler Allee 8a
76530 Baden-Baden
Germany
Hours: Tuesday–Sunday 10am–6pm

T +49 7221 30076400
F +49 7221 30076500
info@kunsthalle-baden-baden.de

kunsthalle-baden-baden.de

All dressed up and nowhere to go is a comprehensive solo exhibition by Guadeloupe-born French artist Jimmy Robert (b. 1975).

Posing, dancing, dressing, voguing, or cruising: Jimmy Robert’s works deal with different forms of movement, be they in art, queer culture, or public space. Movement is not neutral, but also says something about its actor: it is directed, unified, and becomes a marker in relation to society. As a public building, the Kunsthalle also prescribes various movements that are structured by its architecture: Strolling in the nineteenth-century park, towards the Kunsthalle, an Art Nouveau building, climbing up to the exhibition rooms via the representative stone- and finally marble staircase into the main hall and the course of the rooms of the White Cube.

Here the exhibition begins with a new installation designed by Jimmy Robert in collaboration with Studio Diogo Passarinho. Through large mirrored walls, it initially places the viewer at the center. The labyrinthine architecture formulates a stage and its backstage, a dressing room, a new space, and a trompe-l’œil image. It conveys an intimate emptiness in the exhibition space of the public institution, in which the visitors are initially confronted with themselves. The title All dressed up and nowhere to go thus poses the question of belonging, position, one’s own gaze, and that of others. Clothing as costume, dressing and undressing, stage and backstage are ideas that run through the installation as well as the photo series created on-site. Performance, as a practice in the artist’s oeuvre, is dissected here in time and space and can be experienced as an installation and as the site of a temporally displaced event.

Through a chronology of early to recent performance, photography, and film, the exhibition presents the artist’s multimedia oeuvre over the last twenty years, revealing the network of recurring themes that preoccupy the artist in his work. The focus is on the body, mostly his own, in relation to different external structures: gaze and space. Through constant retelling, relating, and adapting, Robert becomes aware of the dynamics of visibility and attribution. What history and socialization do gazes have, or places? How does the gaze/place structure one’s being?

For Robert, the body is this locus of inside and outside. It is both exposed to the politics of the outside gaze and a political body judged by its gender, race, and sexuality. Performance and filmic works such as Brown Leatherette (2002), Vanishing Point (2014), and Imitations of Lives (2019) play with this confluence and intersection of social space, architecture, and body. They construct the fabric of actor and viewer, space and movement in relation to place and its history.

Directors: Çağla Ilk and Misal Adnan Yildiz
Curators: Christina Lehnert and Çağla Ilk

BIOGRAPHY

Born 1975, Guadeloupe. Lives and works in Berlin.

SELECTED SOLO EXHIBITIONS

SELECTED GROUP EXHIBITIONS

PRESS

• Zéro Deux, March 2022
• Artforum, February 2022
• Zoo Magazine, April 2021
• Art Monthly, November 2020
• Leftlion, October 2020
• Frieze, May 2020
• Flash Art, November 2019
• PIN-UP Magazine, September 2019
• Texte zur Kunst, January 2019
• esse, 2018
• PIN-UP Magazine, 2016/17
• Art Basel Year 42, April 2017
• Flash Art, December 2016
• Blouin Artinfo, October 2016
• Monopol, January 2016
• Tagespiegel, Fall 2015
• Frieze, June 2015
• The Believer, Summer 2015
• Artforum, January 2013
• Art in America, December 2010
• Frieze, March 2010
• Zéro Deux, Autumn 2009