Kamikaze Loggia
Pavilion of Georgia at the 55th International Art Exhibition – La Biennale di Venezia
Bouillon Group, Thea Djordjadze, Nikoloz Lutidze, Gela Patashuri with Ei Arakawa and Sergei Tcherepnin, Gio Sumbadze
Commissioner: Marine Mizandari, First Deputy Minister of Culture of Georgia
Curator: Joanna Warsza
June 1 – November 24, 2013
Preview: May 29 – 31, 2013
Opening: May 30, 2013, 5.15 pm
Venue: Arsenale (waterfront facing Canale di Porta Nova, near the Giardino delle Vergini)
Map: http://goo.gl/maps/8TZoL
Performances and Events during the Preview Days
Wednesday, May 29
ongoing
Nikoloz Lutidze: Euroremont
12 + 2 pm
Bouillon Group: Religious Aerobics
5 pm
Gela Patashuri with Ei Arakawa and Sergei Tcherepnin: Bakhneli Archive
Thursday, May 30
ongoing
Nikoloz Lutidze: Euroremont
11 am + 3 pm
Bouillon Group: Religious Aerobics
4 pm
Gela Patashuri with Ei Arakawa and Sergei Tcherepnin: Bakhneli Archive
5.15 pm
Opening
Friday, May 31
ongoing
Nikoloz Lutidze: Euroremont
12 + 3 pm
Bouillon Group: Religious Aerobics
4 pm
Gela Patashuri with Ei Arakawa and Sergei Tcherepnin: Bakhneli Archive
5 pm
Table Talk: Nana Kipiani and Levan Chogoshvili talk with Charles Esche, Daniel Baumann and Slavs and Tatars
Catered by Dinner Exchange Tbilisi-Venice
Kamikaze Loggia under construction. Photo: Gela Patashuri
The Pavilion of Georgia at the 55th International Art Exhibition – La Biennale di Venezia will be a
parasitic extension to an old building in the Arsenale. This informal structure called a “kamikaze
loggia”—characteristic of Tbilisi—will be designed by the artist Gio Sumbadze, who is a
researcher of the typology of these architectural additions. Vernacular extensions of modernist
buildings have been created since the 1990s as an organic response to the new, “lawless”
times after the fall of the Soviet Union. They increase the living space and are usually used as
terraces, extra rooms, open refrigerators, or—as in Sumbadze’s case— an artist studio.
It is said that a Russian journalist named them “kamikaze”, drawing a parallel between the romantic
and suicidal character of such an endeavour and the typical ending of most Georgian family
names “-adze”. This architecture also refers back to the local palimpsestic building technique,
which since the Middle Ages has allowed new houses to be built on top of existing ones on the
steep slopes of the Caucasus Mountains thus not monumentalising the past but expanding on
it for the future.
This year the Pavilion of Georgia will take the form of a kamikaze loggia hosting an exhibition of
the Bouillon Group, Thea Djordjadze, Nikoloz Lutidze, Gela Patashuri with Ei Arakawa and
Sergei Tcherepnin, and Gio Sumbadze. The exhibition looks at the creation of such informal
architecture, a manifestation of the refusal of dominant structures, in order to incorporate
provisional liberty, local self-determination and contemporary appropriation of the infrastructural
legacy of Soviet master plans. The exhibition aims at presenting the extraordinary range of
informality, bottom-up solutions and the concept of self-organization in Georgian art and
architecture. Looking at local examples of self-initiated environments—e. g. kamikaze loggias,
“euroremonts”, “beautifications” or other modifications of the Soviet heritage—the project will
seek to examine their anticipatory and often progressive potential. It will cast a critical look at
the social, political and ideological discourses of the last twenty years in Georgia — thus
introducing an artistic scene of a country that sometimes is described as “Italy gone Marxist”.
During the preview days there will be daily performances by Bouillon Group, Nikoloz Lutidze,
and Gela Patashuri with Ei Arakawa and Sergei Tcherepnin.
Artistic Advisor: Nana Kipiani
Assistant curator: Sandra Teitge
Project Managers: Gvantsa Turmanidze with Nino Bezarashvili and Anna Asatiani
Production + architecture: M+B Studio SRL
Supported and funded by the Ministry of Culture and Monument Protection of Georgia.
www.culture.gov.ge
Media support by ARTAREA TV 2.0
Publication Kamikaze Loggia financed by Chateau Mukhrani
Kamikaze Loggia
Published by the Ministry of Culture and Monument Protection of Georgia
With contributions by Levan Asabashvili, Bouillon Group, Levan Chogoshvili, Thea Djordjadze,
Nana Kipiani, Nikoloz Lutidze, Marine Mizandari, Marion von Osten, Nini Palavandishvili, Gela
Patashuri with Ei Arakawa and Sergei Tcherepnin, Lali Pertenava, Gio Sumbadze, Jan Verwoert,
Joanna Warsza
Design by Nini Palavandishvili
May 2013, English, free copy
Ministry of Highways
A Guide to the Performative Architecture of Tbilisi
Joanna Warsza (Ed.)
With contributions by Ei Arakawa, Ruben Arevshatyan, Levan Asabashvili, Bouillon Group,
George Chakhava, Thea Djordjadze, Didier Faustino, Yona Friedman, Nana Kipiani, Nikoloz
Lutidze, Marion von Osten, Nini Palavandishvili, Gela Patashuri, Lali Pertenava, Marjetica Potrc,
Richard Reynolds, Slavs and Tatars, Gio Sumbadze, Sophia Tabatadze, Éric Troussicot, Jan
Verwoert, Aleksandra Wasilkowska, et al.
Copublished by the Other Space Foundation; Casco – Office for Art, Design and Theory; and
Sternberg Press. Design by Kasia Korczak and Krzysztof Pyda
May 2013, English
Biographical Information
Artists
Bouillon Group, an artist collective, founded in Tbilisi in 2008.
Bouillon Group’s performances, actions and artistic interventions mostly take place in the public realm. They also worked on a series of exhibitions in private apartments referring to the role of private flats during the Soviet Union—often the only space of public debate or exhibition making, which was not officially supported and controlled. They have taken part both in Betlemi-Mikro-Raioni (2009) and Frozen Moments. Architecture Speaks Back (2010), art projects in Tbilisi curated by Joanna Warsza. They have exhibited with AICA Armenia (2010), in Poland (MOCAK in Kraków and Arsenal in Bialystok, both in 2011), and in Germany (GfZK in Leipzig, 2010), among others. The project for Kamikaze Loggia, the Pavilion of Georgia, will continue their reflection on the public and the private, as well as on the religious and the ideological.
Thea Djordjadze, born in 1971, visual artist.
Thea Djordjadze’s meticulous objects, constructions and installations often deal with architectural structures—both familiar and unfamiliar—and references to modernism as well as to science, music, archaeology and politics. For her multipartite sculptural ensembles, Djordjadze uses everyday materials such as ceramics, cardboard, textiles or plaster along with found objects; she combines fragile materials with stable wooden or steely structures which are reminiscent of furniture, banisters, tables, or bookcases. One of her major—although not obvious—influences is the Georgian informal architecture as well as the relation between the landscape and the built environment in her native region of the Caucasus. Thea Djordjadze lives in Berlin and has exhibited worldwide. Recently she participated at dOCUMENTA (13) and opened solo shows in Malmö Konsthall, Kölnischer Kunstverein, Kunsthalle Basel and the Aspen Art Museum.
Nikoloz Lutidze, born in 1984, actor, visual artist and performer.
Nikoloz Lutidze is particulary interested in the performative elements of architecture and the on-going modification of urban textures since the fall of the Soviet Union. Since 2010 he is working on a series of actions based on the concept of “Euroremonts”, a local neologism for a superficial renovation according to European standards. He will continue this series for Kamikaze Loggia, the Pavilion of Georgia. His performances, both funny and intelligent, aim at enabling a critical discussion about the legacy of communism and a Soviet aesthetical influence in Georgia. Nikoloz Lutidze is author of the documentary film Freedom of Expression (2009), shown at different human rights centres throughout the Caucasus.
Gela Patashuri (born in 1973) with Ei Arakawa (born in 1977) and Sergei Tcherepnin (born in 1981)
The collaboration between Gela Patashuri, Ei Arakawa and Sergei Tcherepnin—a Georgian, a Japanese and an American—accidentally started in Tbilisi in 2005 on occasion of the performanceGrand Openings that was part of the Tbilisi series (tbilisi3.com). Since then the collective performances of Patashuri, Arakawa and Tcherepnin involved staged situations, choreographed sequences, process-oriented sound and sonic events playing with architecture and landscape as a medium, as well as with the notions of interdisciplinarity. They presented their work at Casco in Utrecht, The Showroom in London, Bétonsalon and CAC Brétigny in Paris, as well as in Tbilisi inFrozen Moments. Architecture Speaks Back (2010). For the Pavilion of Georgia at the 55thBiennale di Venezia they plan to stage a musical composition using 277 poems which Alexi Bakhneli, construction worker and Gela Patashuri’s father, wrote between 1978 and his accidental death in 2003. The trio will use all first lines of the 277 poems to compose what may become a series of songs performed in and outside the kamikaze loggia.
Gio Sumbadze, born in 1976, visual artist.
Gio Sumbadze is mostly working in collectives. He is a member of the Tbilisi art collective Goslab and founder of the Urban Research Lab (URL), a Tbilisi-based platform of artists, architects and photographers. URL produces an on-going archive documenting the repurposing of Soviet infrastructure and studying its relationship to the erosion of the Marxist ideology. URL also constructs a database of social housing in Tbilisi—mostly “mikroraions”, large suburban modernist housing estates—focusing their post-Soviet condition. Together with the Rotterdam Architecture Biennale, URL co-initiated the project New Map of Tbilisi that addressed the rampant real estate development in Tbilisi. Based on his architectural research in Tbilisi Gio Sumbadze developed the kamikaze loggia as the form of the Pavilion of Georgia.
Commissioner
Marine Mizandari, born in 1963, first deputy minister of Culture and Monument Protection of Georgia, has graduated from the Academy of Fine Arts of Tbilisi and holds a PhD in Art History. She conceived and led various cultural projects in Georgia, Belgium and Germany including intercultural events involving various cultural actors from the European and Eastern countries; she delivered lectures on cultural topics in Paris, Freiburg and Louvain-la-Neuve and carried out missions aiming at monitoring the EU funded cultural projects in Armenia, Algeria, Azerbaijan, Belarus, Egypt, Jordan, Georgia, Lebanon, Morocco, Tunisia and Ukraine. She has valuable experience in Cultural Heritage Conservation issues.
Curator
Joanna Warsza, born in 1976, is a curator for visual, performing arts and architecture. She was associate curator of the 7th Berlin Biennale for Contemporary Art.
Warsza works mostly in the public realm, examining social and political agendas. In 2009 and 2010 she worked in Tbilisi on two projects in the public realm: Betlemi-Mikro-Raioni and Frozen Moments. Architecture Speaks Back which resulted in curating the Pavilion of Georgia at the 55thInternational Art Exhibition – La Biennale di Venezia. She is editor of Ministry of Highways: A Guide to the Performative Architecture of Tbilisi, published by Sternberg Press in May 2013 and one of the curators of the Göteborg International Biennial for Contemporary Art opening in September 2013.
