Fondazione Prada
Cà Corner della Regina
Santa Croce, 2214
Santa Croce 2215
30135 Venice Italy
www.fondazioneprada.org
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CARL ANDRE 36 Copper Square, 1968 Copper 36 elements Each element: 0.5 × 50 × 50 cm Overall dimensions: 0.5 × 300 × 300 cm Private collection [1] GIOVANNI ANSELMO Torsione [Torsion], 1968 Concrete, wood, leather 110 × 80 × 117 cm Private collection [2] GIOVANNI ANSELMO Untitled, 1968 Stone, copper wire, electricity 25 × 80 × 100 cm Private collection [3] GIOVANNI ANSELMO Il cotone bagnato viene buttato sul vetro e ci resta [The Wet Cotton Is Thrown at the Glass and Remains There], 1969 Glass, cotton, bucket, water, sack, sawdust 210 × 120 × 50 cm Sonnabend Gallery Collection, New York, in deposit Fundação Serralves - Museu de Arte Contemporânea, Porto, Portugal [4] GIOVANNI ANSELMO Untitled, 1969 Galvanized metal, bricks, water, chalk 22 × 210 × 131 cm Sonnabend Gallery Collection, New York [5] RICHARD ARTSCHWAGER Blp, 1968 Spray paint, spray paint on rubberized hair, oil-based enamel on wood Various dimensions Reenacted with The Estate of Richard Artschwager Dorothee & Konrad Fischer Collection; Kunstmuseum Liechtenstein, Vaduz / Gift of Rolf Ricke; The Estate of Richard Artschwager [6] THOMAS BANG Three Bag Hang - One Bag Lie, 1968 Wood, foam, rubber, rope Variable dimensions Statens Museum for Kunst, Copenhagen [7] ROBERT BARRY Uranyl Nitrate (UO-2 (NO-3)2), 1966 Uranyl nitrate, radiation, wall label 0.5 microcurie Duration of 4.5 × 109 years Collection of the artist [9] JOSEPH BEUYS Ja Ja Ja Ja Ja Nee Nee Nee Nee Nee [Yes Yes Yes Yes Yes No No No No No], 1968 Recording on magnetic tape 64 mins. 53 secs. The Estate of Joseph Beuys [10] JOSEPH BEUYS Fettecke [Fat Corner], 1969 Margarine Variable dimensions Reenacted with The Estate of Joseph Beuys The Estate of Joseph Beuys [11] MEL BOCHNER Thirteen Sheets of 8 ½” Graph Paper (From a Nonfinite Series), 1969 13 sheets of ink graph paper, stapled to the wall Each element: 28 × 21.2 cm Overall dimensions: 28 × 281 cm Peter Freeman, Inc. [13] ALIGHIERO BOETTI Tavelle [Tiles], 1967 Refractory terracotta 6 × 110 × 110 cm Private collection, Milan [14] ALIGHIERO BOETTI Ghise (ABoetti) [Cast Iron (ABoetti)], 1968 Cast iron copy of a matrix of wavy cardboard 2 elements: 98 × 68 × 2.6 cm 101 × 73 × 2.6 cm Galleria Giuseppe Pero [15] ALIGHIERO BOETTI Io che prendo il sole a Torino il 19 gennaio 1969 [Me Sunbathing in Turin, January 19 1969], 1969 111 pieces of hand-molded concrete, cabbage butterfly Each 7/13 cm min./max. diameter Overall dimensions: 35 × 190 × 100 cm Private collection [16] MARINUS BOEZEM Window, 1968 Wood, glass, clothes 250 × 95 × 30 cm Loan Cultural Heritage Agency of the Netherlands Courtesy De Vleeshal, Middelburg / Museum of Contemporary Art Antwerp 2 artworks exhibited [18] BILL BOLLINGER Pipe Piece, 1968 Aluminum pipes, plastic Pipes: 200 cm length, 5 cm diameter, Angle variable Museum für Moderne Kunst Frankfurt am Main / Ehemalige Sammlung Rolf Ricke im Museum für Moderne Kunst Frankfurt am Main Kunstmuseum Liechtenstein, Vaduz / Former Collection Rolf Ricke at the Kunstmuseum Liechtenstein, Vaduz 2 artworks exhibited [19] BILL BOLLINGER Screen Piece, 1968 Wire mesh 200 × 300 cm Courtesy Galerie Reckermann, Germany [20] BILL BOLLINGER Rope Piece, 1969 (2011) Manila rope, clamps, eye bolts, black tape Rope: 1.3 cm diameter Length may vary between 500 and 1,000 cm Rolf Ricke Collection, Berlin / Kunstmuseum Liechtenstein, Vaduz [21] DANIEL BUREN Affichages sauvages [Wild Posters], 1969 Street posters 72.6 × 55 cm each Reenacted by the artist Collection of the artist [22] MICHAEL BUTHE Untitled, 1968 Wood, canvas, gypsum 158 × 14 × 10 cm Collection Dietmar Schneider, Cologne [23] MICHAEL BUTHE Weisses Bild [White Picture], 1969 Canvas shreds, wooden stretcher 256 × 151 cm Paul Van Esch & Partners Collection, the Netherlands [24] PIER PAOLO CALZOLARI Scalea (mi r fea pra) [Monumental Staircase (mi r fea pra)], 1968 Freezing structure, lead, candle, tin, bronze letters, feather 46.5 × 110 × 54.5 cm Castello di Rivoli, Museo d’Arte Contemporanea, Deposito Permanente Fondazione CRT, Progetto Arte Moderna e Contemporanea, 2003 [26] PAUL COTTON (ADAM II) Table of Contents, April 1966 (exhibition copy 2013) Plywood, contact paper, no mirror 135 × 120 × 120 cm Collection of the artist [28] HANNE DARBOVEN Sechs Bücher [Six Books], 1968 Xerox books 5 books: 21.5 × 26.7 × 5 cm 1 book: 21.5 × 26.7 × 8 cm Hanne Darboven Stiftung, Hamburg [29] WALTER DE MARIA Art by Telephone, 1967 Telephone, sheet of paper Variable dimensions Reenacted by the artist Courtesy of the artist [30]WALTER DE MARIA Suicide and Black Telephone 1966/1967, in Artist Studio, New York City, 1966–67 (print 2013) B/W photograph 33 × 48 cm Photo by Barbara Brown Courtesy of the artist [31] WALTER DE MARIA Photograph documenting Mile Long Drawing (1968) by Walter De Maria, 1968 (print 2013) B/W photograph Photographer unknown Courtesy of the artist [32] WALTER DE MARIA Photograph documenting Munich Earth Room (1968) by Walter De Maria, 1968 (print 2013) B/W photograph Photographer unknown Courtesy of the artist [33] WALTER DE MARIA Poster of the exhibition “The Land Art Show,” Galerie Heiner Friedrich, Munich, 26 September - 10 October, 1968 1968 Poster Courtesy of the artist [34] JAN DIBBETS Museum-socle with Angles of 90º, 1969 Collage and drawing on paper 5 elements 93.5 × 127.5 cm; 75 × 100 cm; 99 × 103 cm; 48.5 × 77 cm; 73.5 × 166.5 cm Private collection [36] JAN DIBBETS Untitled, 1969 Microphone, speakers, sound Variable dimensions Reenacted by the artist Courtesy of the artist [37] GER VAN ELK Tres Qualitates Lucis, in Modo Rustico Californiae 1968–69 Wooden fence, bamboo, camping gas, two electric lamps, transformer 100 × 75 × 160 cm Museum Boijmans Van Beuningen, Rotterdam [38] GER VAN ELK Replacement Piece, 1969 Stainless steel and photograph covered with durable coating Approx. 100 × 100 cm Reenacted by the artist Courtesy of the artist [39] |
RAFAEL FERRER Chain Link Fence Piece, 1968–69 Wireframe Variable dimensions Ferrer Collection [40] BARRY FLANAGAN Two Space Rope Sculpture, 1967 Sisal rope 17 m length; 6 cm diameter Installation may vary Tate: purchased in 2009 with funds provided by an anonymous donor [41] BARRY FLANAGAN Panel presenting A Hole in the Sea, Barry Flanagan contribution to Land Art (1969), a TV documentary film by Gerry Schum., 1969 (exhibition copy 2013) Print on paper The Estate of Barry Flanagan [42] PHILIP GLASS How Now, 1968 Composition for piano and electric organ 20 mins. 41 secs. Courtesy of the artist [43] HANS HAACKE Identifikationsurkunde meines Sohnes [Birth Certificate of My Son], January 13, 1969 Blue and black ink on paper Sheet: 27.9 × 21.6 cm The Getty Research Institute, Los Angeles [45] EVA HESSE Augment, 1968 Latex, canvas 17 elements 198.1 × 101.6 cm each Helga and Walther Lauffs Collection [54] EVA HESSE Sans III, 1969 (exhibition copy 2013) Latex, metal 396.2 × 7.6 × 5.1 cm The Estate of Eva Hesse / Courtesy Hauser & Wirth [55] PAOLO ICARO On-off, 2013 Light, words Courtesy of the artist [58] ALAIN JACQUET Les fils électriques [Electric Wires], 1968 Wires, plaster, wall paint Variable dimensions Reenacted with Comité Alain Jacquet Comité Alain Jacquet [59] NEIL JENNEY The Siegmund Biederman Piece, 1968 (2013) Wood, cloth, neon 90 × 450 × 300 cm Courtesy of the artist [61] STEPHEN KALTENBACH Graffiti Stamp: Lips of Artist, 1968 Rubber stamp, wood, ink pad Stamp: 2.5 × 5.1 × 7 × 6 cm Ink pad: 7.6 × 11.4 cm Reenacted by the artist Collection of the artist / Courtesy Another Year in LA Gallery, Los Angeles [62] EDWARD KIENHOLZ AND JEAN TINGUELY The American Trip. Concept Tableau, 1966 Metal, ink on paper Plaque: 23.5 × 29.8 cm Certificate: 34 × 23.5 cm Collection of the artist / Courtesy L.A. Louver, Venice, CA [64] EDWARD KIENHOLZ Contract for purchase of a Concept Tableau by Edward Kienholz, Undated Ink on paper The Getty Research Institute, Los Angeles [65] JOSEPH KOSUTH I. Space (Art as Idea as Idea), “Tagwacht” March 8/9 1969, “Illustrierte” March 8/9 1969, “Der Bund” March 9 1969, “Berner Tagblatt” March 8/9 1969 1969 Advertising in 4 newspapers 48.5 × 66 cm Reenacted by the artist Courtesy of the artist and Lia Rumma Gallery / Collection of the Van Abbemuseum, Eindhoven [67] JANNIS KOUNELLIS Untitled, 1969 Juta sacks of coal corn and peas 47 × 137 × 63 cm each ARTIST ROOMS National Galleries of Scotland and Tate. Acquired jointly through The d’Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008 [70] GARY B. KUEHN Pedestal Piece (Untitled), 1968 Wood, fiberglass, enamel 103.2 × 96.5 x 40.6 cm Hirschmann Collection [71] GARY B. KUEHN Untitled, 1968 Wood, fiberglass, polyester resin, nails 65 × 122.5 × 29.4 cm Kunstmuseum Liechtenstein, Vaduz / Former Collection Rolf Ricke at the Kunstmuseum Liechtenstein, Vaduz [72]GARY B. KUEHN Untitled (Wedge Piece), 1968 Wood, fiberglass, enamel 35.6 × 198.1 × 116.8 cm Häusler Contemporary München–Zürich [73] SOL LEWITT Wall Drawing #12: Drawing Series I 1 (A & B) and III 1 (A & B), 1969 Black pencil Size dictated by the wall area available Reenacted with The LeWitt Estate John Campione Collection [74] RICHARD LONG A Walking Tour in the Berner Oberland, 1969 (exhibition copy 2013) Offset poster 50 × 250 cm Courtesy of the artist [74] ROELOF LOUW 6 photographs documenting Park Lane (1968) by Roelof Louw, 1968 (print 2013) Silver gelatin prints on fibre paper mounted on MDF Courtesy of the artist / Richard Saltoun, London [78] MARIO MERZ Sit-in, 1968 Steel, metal net, wax, neon 20 × 60 × 60 cm Merz Collection, Turin [81] MARIO MERZ Acqua scivola (Igloo di vetro) [Water Slips Down (Glass Igloo)], 1969 Steel, glass, mastic, branch Igloo: 100 cm height; 200 cm diameter Branch: 330 cm height Merz Collection, Turin [82] MARIO MERZ Appoggiati [Leaning against], 1969 (2013) Glass, mastic 8 elements 4 elements: 70 × 70 cm 4 elements: 35 × 35 cm Overall dimensions: 70 × 400 cm Merz Collection, Turin [83] ROBERT MORRIS Felt, 1967 (2011) Felt 254 elements Overall dimensions: approx. 250 × 250 × 120 cm Collection of the artist / Courtesy Leo Castelli Gallery [85] BRUCE NAUMAN Neon Templates of the Left Half of My Body Taken at Ten Inch Intervals, 1966 (exhibition copy 2007) Neon tubes, electrical wire, transformer, uranium glass rods, wall connectors 177.8 × 22.9 × 15.2 cm Courtesy The Philip Johnson Glass House / National Trust for Historic Preservation [90] BRUCE NAUMAN Plaster Cast Based on Neon Templates, 1966 Plaster, bronze-colored paint 180.3 × 25.4 × 24.1 cm Museum Ludwig, Cologne / Peter and Irene Ludwig Stiftung [91] CLAES OLDENBURG Study for Pants Pocket Objects, 1963 Muslin, charcoal and spray enamel 86.4 x 57.2 cm Claes Oldenburg and Coosje Van Bruggen Collection [94] CLAES OLDENBURG Model (Ghost) Medicine Cabinet, 1966 Plastic, paint, canvas, wood, kapok 38 × 60 × 16 cm Moderna Museet, Stockholm [96] DENNIS OPPENHEIM Annual Rings, 1968 (print 2013) U.S.A. / Canada boundary at Fort Kent, Maine and Clair, New Brunswick. 150’ x 200’ Schemata of annual rings severed by political boundary. Time: U.S.A. 1:30 pm Time: Canada 2:30 pm B/W photograph 76.2 x 50.8 cm The Dennis Oppenheim Estate / Courtesy A. P. Oppenheim [97] DENNIS OPPENHEIM Directional Cuts, 1968 (print 2013) Hamburg Pennsylvania. Snow fencing on field, directed north 4’ x 100’ B/W photograph 50.8 x 50.8 cm The Dennis Oppenheim Estate / Courtesy A. P. Oppenheim [98] PINO PASCALI Confluenze [Confluences], 1967 Sheet iron with antirust paint and aniline-colored water 22 elements 5.50 x 112 x 112 cm each Prada Collection, Milan [100] EMILIO PRINI Con un passo [With a Step], 1968 (2005) Photographs, lead 720 x 280 cm Daniella Betta Collection, Brescia [103] |
MARKUS RAETZ Endpunkt A [End Point A] and Endpunkt B [End Point B], 1969 Iron 4 × 30 × 30 cm each Monika and Markus Raetz Collection [104] STEVE REICH Melodica, 1966 Tape loop 11 mins. Courtesy of the artist [106] ALLEN RUPPERSBERG Untitled Travel Piece, Part 1, 1969 (exhibition copy 2013) 4 newspapers: Desert News, Salt Lake City, December 17, 1968; Omaha World Herald, Omaha, December 18, 1968; Chicago Tribune, Chicago, December 19, 1968; The Plain Dealer, Cleveland, December 19, 1968 Various dimensions Courtesy of the artist [107] REINER RUTHENBECK Aschenhaufen III [Ash Heap III], 1968 Ashes, wire, 92 iron sticks Approx. 80 cm height; 220 cm diameter Sammlung Hoffmann, Berlin [108] REINER RUTHENBECK Möbel I [Furniture I], 1968 Steel wire netting, cloth 190 x 146 x 61 cm Wilhelm Hack Museum, Ludwigshafen am Rhein [109] ROBERT RYMAN Classico 3, 1968 Acrylic on 12 sheets of handmade, watermarked Classico paper Each sheet: approx. 78.4 x 55.9 cm Overall dimensions: approx. 236.5 x 223.8 cm Stedelijk Museum, Amsterdam [111] FREDERICK LANE SANDBACK Silver Gray Cord Trapezoid, 1967 Elastic cord 171 x 213 – 426 x 61 cm Emanuel Hoffmann Foundation, permanent loan to the Öffentlichen Kunstsammlung Basel [112] ALAN SARET Zinc Fire, 1968 (2013) Unpainted wire 75 x 120 x 90 cm Courtesy of the artist [113] SARKIS Bac en attente (avec éclairage dans l’eau + néon) [Waiting Tray (with Underwater Lighting + Neon)] 1968 (exhibition copy 2013) Galvanized sheet metal, neon, light bulb, water 40 x 30 x 30 cm Courtesy of the artist / Galerie Nathalie Obadia, Paris–Brussels [114]SARKIS Rouleau en attente (avec néon blanc) [Waiting Roll (with White Neon)], 1968 Aluminized tar paper, neon tubing, metal basin, water 24.8 x 119.7 x 35.2 cm David Zwirner, New York [115] RICHARD SERRA Close Pin Prop, 1969 Lead Pole: 250.8 x diameter 9.5 cm Tube: 101.6 x diameter 24.8 cm Overall dimensions: 229 x 15.2 x 25.4 cm The Solomon R. Guggenheim Museum, New York / Panza Collection [118] RICHARD SERRA Shovel Plate Prop, 1969 Steel Plate: 101.2 x 199.5 x 2.4 cm Tube: 144.9 length; 24.2 cm diameter Overall dimensions: 203 x 213.4 x 81.3 cm The Solomon R. Guggenheim Museum, New York / Panza Collection [119] RICHARD SERRA Sign Board Prop, 1969 (1987) Lead with antimony Plate: 130 x 130 x 2.5 cm Pole: 78 cm length Private collection, Courtesy m Bochum Kunstvermittlung, Germany [120] ROBERT SMITHSON Bern Earth – Mirror Displacement, 1969 (print 2013) One of several photographs of a mirror placed in locations around Bern. Inkjet print on archival rag paper, printed from original black and white negatives 79.32 cm x 99.85 cm Courtesy The Estate of Robert Smithson / James Cohan Gallery, New York–Shanghai [122] MICHAEL SNOW Wavelength, 1967 16 mm film 45 mins. Courtesy of the artist [123] KEITH SONNIER Mustee, 1968 Flock, latex rubber, string Variable dimensions according to the wall area available Reenacted by the artist Barbara Bertozzi Castelli Collection [124] KEITH SONNIER Untitled (Neon and Cloth), 1968 Neon light, transformer, cloth 274 x 152 cm Courtesy of the artist / Pace Gallery, New York [125] KEITH SONNIER Flocked Wall, 1969 Rubber Latex, flock Size dictated by the wall area available Reenacted by the artist Collection of the artist [126] KEITH SONNIER Neon Wrapping Neon and Incandescent Bulbs 1969 Incandescent bulbs with porcelain fixtures wrapped in neon tubing, aluminum paint, wire, transformer 175.3 x 125.7 x 20.3 cm Häusler Contemporary München–Zürich [127] RICHARD TUTTLE Bow Shaped Light Blue Canvas, 1967 Dyed canvas, thread 133 x 131.5 cm Emanuel Hoffmann Foundation, permanent loan to the Öffentlichen Kunstsammlung Basel [129] RICHARD TUTTLE Canvas Dark Blue, 1967 Dyed canvas, thread 177.8 x 90.2 cm Glenstone Collection [130] FRANK LINCOLN VINER Never Ending Surface, 1969 Vinyl, plastic rope, pivot buttons, waste material Approx. 183 x 152 cm Courtesy of the artist [133] ALDO WALKER Kleines Kreuz no. 128 [Small Cross no. 128] 1969 (exhibition copy 2013) Carpet of cut plastic 150 x 100 cm The Estate of Aldo Walker [134] FRANZ ERHARD WALTHER Werkzeichnungen [Work Drawings] Related to Werksatz elements nos. 3, 12, 24, 25, 28, 30, 32, 41, 42, 47 1963-69 Various media: pencil, watercolor, casein paint, typewriter, oil, coffee, sepia ink on paper 29.6 x 21 or 28 x 21.5 cm each Collection of Franz Erhard Walther Foundation [135] FRANZ ERHARD WALTHER Werksatz [Work Sentence], 1963–68 Elements nos. 3, 12, 24, 25, 28, 30, 32, 41, 42, 47 Various media and dimensions Courtesy Franz Erhard Walther Foundation / Peter Freeman Inc., New York and Galerie Jocelyn Wolff, Paris [136] LAWRENCE WEINER A 36” x 36” Removal to the Lathing or Support Wall of Plaster or Wallboard from a Wall, 1968 Wall plaster removal 90 x 90 cm Reenacted by the artist The Museum of Modern Art, New York. Gift of Seth Siegelaub and the Stichting Egress Foundation, Amsterdam, 2010 [139] WILLIAM T. WILEY Slab’s Axe in Change, 1968 Wood, steel, Plexiglas 7.6 x 102.2 x 43.2 cm Ethan & Zane Wiley Collection / Courtesy Wanda Hansen [142] WILLIAM T. WILEY Wizdumb, 1968 Wood 44 × 34 × 12 cm William T. Wiley / Courtesy Fondazione Marconi, Milan [143] GILBERTO ZORIO Giunchi con arco voltaico [Reeds with an Arc-Lamp], 1969 Reeds, copper bars, arc-lamp, timer 350 x 195 x 350 cm Courtesy of the artist [144] GILBERTO ZORIO Il fuoco è passato [The Fire Has Passed], 1969 Metal webbing, eternit, fuel 120 x 250 x 250 cm Courtesy of the artist [145] GILBERTO ZORIO Torce [Torches], 1969 Reeds, 4 torches, cement powder, copper clamps 300 x 600 x 60 cm Courtesy of the artist [147] GILBERTO ZORIO Trasciniamo un po’ di... [Let’s drag a little...], 1969 2 Plexiglas tubes, round white plastic pole, cloth, wet ashes, bay leaves 135 x 150 x 120 cm Reenacted by the artist Courtesy of the artist [148] |
